The Outsiders Read online

  Dear Reader,

  It is very difficult for me to write about myself, and especially The Outsiders, which was written at a horrendous time in my life, was published by a series of mind-boggling synchronicities, and has gone further than any author dared dream. But I'll give it a shot.

  I wrote The Outsiders when I was sixteen years old. Actually I began it when I was fifteen, as a short story about a boy who was beaten up on his way home from the movies.

  But I didn't just write The Outsiders, I lived it. Looking back, I realize how important it was to me to have another life at that time. To be someone else. To deal with problems I had to face, and write my way to some sort of understanding and coping. This is all in hindsight. At the time, I was mad about the social situation in my high school. I desperately wanted something to read that dealt realistically with teen-age life.

  I knew I was going to be a writer. I love to write. I began in grade school, because I loved to read, and liked the idea of making stories happen the way I wanted them to. By the time I was in high school I had been practicing for years. So I was both elated and not surprised when I received my publishing contract on the day I graduated from high school.

  The Outsiders has taken me many places I never dreamed of going. It introduced me to people I would never otherwise have met. Although the names Patrick Swayze, Tom Cruise, Matt Dillon, Rob Lowe, C. Thomas Howell, Emilio Estevez, and Ralph Macchio are familiar to most people, and conjure visions of movie stars and glamour, I remember a group of sweet, goofy, incredibly talented and at the same time incredibly normal teen-age boys. I was involved in every aspect of filming the movie version of The Outsiders, and the memory I cherish most is of hanging out with "my boys."

  I owe Francis Coppola a debt of thanks. Not only for the respect, kindness, and friendship I personally received from him, but for the fact that he made the movie for the fans of the book. He shot a faithful adaptation, consulting me for everything from locations to wardrobe, but it was the fans of the book he wanted to please. And as far as I know, he is the only director to go back and assemble a more complete movie (The Outsiders, The Complete Novel DVD) because those fans asked him to.

  Fans. I receive letters from every state, from dozens of foreign countries. From twelve-year-olds and forty-year-olds. From convicts and policemen, teachers, social workers, and of course, kids. Kids who are living lives like those in The Outsiders. Kids who can't imagine living lives like those in The Outsiders. Kids who read all the time. Ones who never before finished a book.

  The letters saying "I loved the book" are good, the ones that say "I never liked to read before, and now I read all the time" are better, but the ones that say "The Outsiders changed my life" and "I read it fifteen years ago and I realize how much it has influenced my life choices" frankly scare me. Who am I to change anyone's life? I guess the best reply is "It's the book, not the author" and "It's the message, not the messenger." A lot of the time I feel that The Outsiders was meant to be written, and I was chosen to write it. It's certainly done more good than anything I could accomplish on a personal level.

  If this sounds like I am overwhelmed by the decades of incredible response to what began as a short story I started when I was fifteen years old, well, I guess that's the truth.

  Stay Gold.

  THE

  OUTSIDERS

  S. E. HINTON

  speak

  An Imprint of Penguin Group (USA) Inc.

  SPEAK

  Published by the Penguin Group

  Penguin Group (USA) Inc., 345 Hudson Street, New York, New York 10014, U.S.A.

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  Registered Offices: Penguin Books Ltd, 80 Strand, London WC2R 0RL, England

  First published in the United States of America by The Viking Press, 1967

  Published by Puffin Books, a division of Penguin Young Readers Group, 1997

  This edition published by Speak, an imprint of Penguin Group (USA) Inc., 2006, 2012

  Copyright (c) S. E. Hinton, 1967

  Copyright renewed S. E. Hinton, 1995

  All rights reserved

  THE LIBRARY OF CONGRESS HAS CATALOGED THE VIKING EDITION UNDER CATALOG CARD NUMBER: 67-13606

  "Nothing Gold Can Stay," is from Complete Poems of Robert Frost. Copyright 1923 by Holt,

  Rinehart and Winston, Inc. Copyright 1951 by Robert Frost.

  Reprinted by permission of Holt, Rinehart and Winston.

  ISBN: 978-1-101-64261-0

  All rights reserved.

  No part of this book may be reproduced, scanned, or distributed in any printed or electronic form without permission. Please do not participate in or encourage piracy of copyrighted materials in violation of the author's rights. Purchase only authorized editions.

  BOOKS BY S. E. HINTON

  Big David, Little David

  Hawke's Harbor

  The Outsiders

  The Puppy Sister

  Rumble Fish

  Some of Tim's Stories

  Tex

  That Was Then, This Is Now

  For Jimmy

  Table of Contents

  Chapter 1

  Chapter 2

  Chapter 3

  Chapter 4

  Chapter 5

  Chapter 6

  Chapter 7

  Chapter 8

  Chapter 9

  Chapter 10

  Chapter 11

  Chapter 12

  The Outsiders

  That was Then, This is Now

  About the Author

  Chapter 1

  WHEN I STEPPED out into the bright sunlight from the darkness of the movie house, I had only two things on my mind: Paul Newman and a ride home. I was wishing I looked like Paul Newman--he looks tough and I don't--but I guess my own looks aren't so bad. I have light-brown, almost-red hair and greenish-gray eyes. I wish they were more gray, because I hate most guys that have green eyes, but I have to be content with what I have. My hair is longer than a lot of boys wear theirs, squared off in back and long at the front and sides, but I am a greaser and most of my neighborhood rarely bothers to get a haircut. Besides, I look better with long hair.

  I had a long walk home and no company, but I usually lone it anyway, for no reason except that I like to watch movies undisturbed so I can get into them and live them with the actors. When I see a movie with someone it's kind of uncomfortable, like having someone read your book over your shoulder. I'm different that way. I mean, my second-oldest brother, Soda, who is sixteen-going-on-seventeen, never cracks a book at all, and my oldest brother, Darrel, who we call Darry, works too long and hard to be interested in a story or drawing a picture, so I'm not like them. And nobody in our gang digs movies and books the way I do. For a while there, I thought I was the only person in the world that did. So I loned it.

  Soda tries to understand, at least, which is more than Darry does. But then, Soda is different from anybody; he understands everything, almost. Like he's never hollering at me all the time the way Darry is, or treating me as if I was six inst
ead of fourteen. I love Soda more than I've ever loved anyone, even Mom and Dad. He's always happy-go-lucky and grinning, while Darry's hard and firm and rarely grins at all. But then, Darry's gone through a lot in his twenty years, grown up too fast. Sodapop'll never grow up at all. I don't know which way's the best. I'll find out one of these days.

  Anyway, I went on walking home, thinking about the movie, and then suddenly wishing I had some company. Greasers can't walk alone too much or they'll get jumped, or someone will come by and scream "Greaser!" at them, which doesn't make you feel too hot, if you know what I mean. We get jumped by the Socs. I'm not sure how you spell it, but it's the abbreviation for the Socials, the jet set, the West-side rich kids. It's like the term "greaser," which is used to class all us boys on the East Side.

  We're poorer than the Socs and the middle class. I reckon we're wilder, too. Not like the Socs, who jump greasers and wreck houses and throw beer blasts for kicks, and get editorials in the paper for being a public disgrace one day and an asset to society the next. Greasers are almost like hoods; we steal things and drive old souped-up cars and hold up gas stations and have a gang fight once in a while. I don't mean I do things like that. Darry would kill me if I got into trouble with the police. Since Mom and Dad were killed in an auto wreck, the three of us get to stay together only as long as we behave. So Soda and I stay out of trouble as much as we can, and we're careful not to get caught when we can't. I only mean that most greasers do things like that, just like we wear our hair long and dress in blue jeans and T-shirts, or leave our shirttails out and wear leather jackets and tennis shoes or boots. I'm not saying that either Socs or greasers are better; that's just the way things are.

  I could have waited to go to the movies until Darry or Sodapop got off work. They would have gone with me, or driven me there, or walked along, although Soda just can't sit still long enough to enjoy a movie and they bore Darry to death. Darry thinks his life is enough without inspecting other people's. Or I could have gotten one of the gang to come along, one of the four boys Darry and Soda and I have grown up with and consider family. We're almost as close as brothers; when you grow up in a tight-knit neighborhood like ours you get to know each other real well. If I had thought about it, I could have called Darry and he would have come by on his way home and picked me up, or Two-Bit Mathews--one of our gang--would have come to get me in his car if I had asked him, but sometimes I just don't use my head. It drives my brother Darry nuts when I do stuff like that, 'cause I'm supposed to be smart; I make good grades and have a high IQ and everything, but I don't use my head. Besides, I like walking.

  I about decided I didn't like it so much, though, when I spotted that red Corvair trailing me. I was almost two blocks from home then, so I started walking a little faster. I had never been jumped, but I had seen Johnny after four Socs got hold of him, and it wasn't pretty. Johnny was scared of his own shadow after that. Johnny was sixteen then.

  I knew it wasn't any use though--the fast walking, I mean--even before the Corvair pulled up beside me and five Socs got out. I got pretty scared--I'm kind of small for fourteen even though I have a good build, and those guys were bigger than me. I automatically hitched my thumbs in my jeans and slouched, wondering if I could get away if I made a break for it. I remembered Johnny--his face all cut up and bruised, and I remembered how he had cried when we found him, half-conscious, in the corner lot. Johnny had it awful rough at home--it took a lot to make him cry.

  I was sweating something fierce, although I was cold. I could feel my palms getting clammy and the perspiration running down my back. I get like that when I'm real scared. I glanced around for a pop bottle or a stick or something--Steve Randle, Soda's best buddy, had once held off four guys with a busted pop bottle--but there was nothing. So I stood there like a bump on a log while they surrounded me. I don't use my head. They walked around slowly, silently, smiling.

  "Hey, grease," one said in an over-friendly voice. "We're gonna do you a favor, greaser. We're gonna cut all that long greasy hair off."

  He had on a madras shirt. I can still see it. Blue madras. One of them laughed, then cussed me out in a low voice. I couldn't think of anything to say. There just isn't a whole lot you can say while waiting to get mugged, so I kept my mouth shut.

  "Need a haircut, greaser?" The medium-sized blond pulled a knife out of his back pocket and flipped the blade open.

  I finally thought of something to say. "No." I was backing up, away from that knife. Of course I backed right into one of them. They had me down in a second. They had my arms and legs pinned down and one of them was sitting on my chest with his knees on my elbows, and if you don't think that hurts, you're crazy. I could smell English Leather shaving lotion and stale tobacco, and I wondered foolishly if I would suffocate before they did anything. I was scared so bad I was wishing I would. I fought to get loose, and almost did for a second; then they tightened up on me and the one on my chest slugged me a couple of times. So I lay still, swearing at them between gasps. A blade was held against my throat.

  "How'd you like that haircut to begin just below the chin?"

  It occurred to me then that they could kill me. I went wild. I started screaming for Soda, Darry, anyone. Someone put his hand over my mouth, and I bit it as hard as I could, tasting the blood running through my teeth. I heard a muttered curse and got slugged again, and they were stuffing a handkerchief in my mouth. One of them kept saying, "Shut him up, for Pete's sake, shut him up!"

  Then there were shouts and the pounding of feet, and the Socs jumped up and left me lying there, gasping. I lay there and wondered what in the world was happening--people were jumping over me and running by me and I was too dazed to figure it out. Then someone had me under the armpits and was hauling me to my feet. It was Darry.

  "Are you all right, Ponyboy?"

  He was shaking me and I wished he'd stop. I was dizzy enough anyway. I could tell it was Darry though--partly because of the voice and partly because Darry's always rough with me without meaning to be.

  "I'm okay. Quit shaking me, Darry, I'm okay."

  He stopped instantly. "I'm sorry."

  He wasn't really. Darry isn't ever sorry for anything he does. It seems funny to me that he should look just exactly like my father and act exactly the opposite from him. My father was only forty when he died and he looked twenty-five and a lot of people thought Darry and Dad were brothers instead of father and son. But they only looked alike--my father was never rough with anyone without meaning to be.

  Darry is six-feet-two, and broad-shouldered and muscular. He has dark-brown hair that kicks out in front and a slight cowlick in the back--just like Dad's--but Darry's eyes are his own. He's got eyes that are like two pieces of pale blue-green ice. They've got a determined set to them, like the rest of him. He looks older than twenty--tough, cool, and smart. He would be real handsome if his eyes weren't so cold. He doesn't understand anything that is not plain hard fact. But he uses his head.

  I sat down again, rubbing my cheek where I'd been slugged the most.

  Darry jammed his fists in his pockets. "They didn't hurt you too bad, did they?"

  They did. I was smarting and aching and my chest was sore and I was so nervous my hands were shaking and I wanted to start bawling, but you just don't say that to Darry.

  "I'm okay."

  Sodapop came loping back. By then I had figured that all the noise I had heard was the gang coming to rescue me. He dropped down beside me, examining my head.

  "You got cut up a little, huh, Ponyboy?"

  I only looked at him blankly. "I did?"

  He pulled out a handkerchief, wet the end of it with his tongue, and pressed it gently against the side of my head. "You're bleedin' like a stuck pig."

  "I am?"

  "Look!" He showed me the handkerchief, reddened as if by magic. "Did they pull a blade on you?"

  I remembered the voice: "Need a haircut, greaser?" The blade must have slipped while he was trying to shut me up. "Yeah."
r />   Soda is handsomer than anyone else I know. Not like Darry--Soda's movie-star kind of handsome, the kind that people stop on the street to watch go by. He's not as tall as Darry, and he's a little slimmer, but he has a finely drawn, sensitive face that somehow manages to be reckless and thoughtful at the same time. He's got dark-gold hair that he combs back--long and silky and straight--and in the summer the sun bleaches it to a shining wheat-gold. His eyes are dark brown--lively, dancing, recklessly laughing eyes that can be gentle and sympathetic one moment and blazing with anger the next. He has Dad's eyes, but Soda is one of a kind. He can get drunk in a drag race or dancing without ever getting near alcohol. In our neighborhood it's rare to find a kid who doesn't drink once in a while. But Soda never touches a drop--he doesn't need to. He gets drunk on just plain living. And he understands everybody.

  He looked at me more closely. I looked away hurriedly, because, if you want to know the truth, I was starting to bawl. I knew I was as white as I felt and I was shaking like a leaf.

  Soda just put his hand on my shoulder. "Easy, Ponyboy. They ain't gonna hurt you no more."

  "I know," I said, but the ground began to blur and I felt hot tears running down my cheeks. I brushed them away impatiently. "I'm just a little spooked, that's all." I drew a quivering breath and quit crying. You just don't cry in front of Darry. Not unless you're hurt like Johnny had been that day we found him in the vacant lot. Compared to Johnny I wasn't hurt at all.

  Soda rubbed my hair. "You're an okay kid, Pony."

  I had to grin at him--Soda can make you grin no matter what. I guess it's because he's always grinning so much himself. "You're crazy, Soda, out of your mind."

  Darry looked as if he'd like to knock our heads together. "You're both nuts."

  Soda merely cocked one eyebrow, a trick he'd picked up from Two-Bit. "It seems to run in this family."

  Darry stared at him for a second, then cracked a grin. Sodapop isn't afraid of him like everyone else and enjoys teasing him. I'd just as soon tease a full-grown grizzly; but for some reason, Darry seems to like being teased by Soda.

  Our gang had chased the Socs to their car and heaved rocks at them. They came running toward us now--four lean, hard guys. They were all as tough as nails and looked it. I had grown up with them, and they accepted me, even though I was younger, because I was Darry and Soda's kid brother and I kept my mouth shut good.